Candice Bergen

Candice Patricia Bergen (born May 9, 1946) is an American actress and former fashion model.

She is known for starring in two TV series, as the title character on the situation comedy Murphy Brown (1988–1998), for which she won five Emmy Awards and two Golden Globe Awards; and as Shirley Schmidt on the comedy-drama Boston Legal (2004–2008), for which she was nominated for two Emmys, a Golden Globe, and a Screen Actors Guild Award. She starred in several major films throughout the mid 1960s to early 1980s such as The Sand Pebbles, Carnal Knowledge, The Wind and the Lion, and Gandhi and received an Academy Award nomination for her role in Starting Over. Her later career includes character roles in Miss Congeniality and Sweet Home Alabama.
Bergen was born in Beverly Hills, California. Her mother, Frances Bergen (née Westerman), was a Powers model who was known professionally as Frances Westcott.[1] Her father, Edgar Bergen, was a ventriloquist, comedian, and actor. Her paternal grandparents were Swedish-born immigrants who anglicized their surname, which was originally Berggren. As a child, Bergen was irritated at being referred to as Charlie McCarthy's little sister, Charlie McCarthy being her father's star dummy.[2
Bergen began appearing on her father's radio program at a young age, and in 1958, at age eleven, with her father on Groucho Marx's quiz show You Bet Your Life as Candy Bergen. She said that when she grew up she wanted to design clothes.

Bergen made her screen debut playing an aloof university student in The Group (1966), which delicately touched on the then-forbidden subject of lesbianism. Her second film in 1966 was The Sand Pebbles, in which she played Shirley Eckert, an assistant school teacher and missionary opposite Steve McQueen. The film was nominated for several Academy Awards. After starring in the French film Live for Life (1967) and The Magus (1968) with Michael Caine and Anthony Quinn, she was featured in a 1970 political satire, The Adventurers, playing a frustrated socialite who has a lesbian affair. In 1975 she starred with Sean Connery in The Wind and the Lion, as a headstrong American widow kidnapped in Morocco in 1904 along with her two young children.
Despite initial rocky reviews, she appeared in such films as Mike Nichols' provocative Carnal Knowledge (1971) and the Burt Reynolds romantic comedy Starting Over (1979), for which she received Academy Award and Golden Globe nominations for best supporting actress.

Bergen had roles in Western films including The Hunting Party and Bite the Bullet, both of which starred Gene Hackman. She was the love interest of Ryan O'Neal in the Love Story sequel, Oliver's Story, and portrayed a best-selling author in Rich and Famous (1981) with Jacqueline Bisset.
Bergen has written articles, a play, and a memoir, Knock Wood (1984). She has also studied photography and worked as a photojournalist. Considered one of Hollywood's most beautiful women, Bergen worked as a fashion model before she took up acting.

Turning to television and given a chance to show her little-seen comic talent, Murphy Brown, Bergen played a tough television reporter. Primarily a conventional sit-com, the show did tackle important issues: TV star Murphy Brown, a recovering alcoholic, became a single mother and later battled breast cancer
In 1992, Vice President Dan Quayle criticized prime-time TV for showing the Murphy Brown character "mocking the importance of fathers by bearing a child alone and calling it just another lifestyle choice." His remarks became comedic fodder, and were written into the show as if he were talking about the Murphy Brown character, who was depicted watching Quayle's speech. A subsequent episode explored the subject of family values within a diverse set of families. The Brown character arranges for a truckload of potatoes to be dumped in front of Quayle's residence, an allusion to an infamous incident in which Quayle erroneously directed a school child to spell the word "potato" as "potatoe". In reality, Bergen agreed with at least some of Quayle's observations, saying that while the particular remark was "an arrogant and